图片文件尺寸 : 3204 x 4343px
Fritz Beinke的《Die Schulschwänzer》-Fritz Beinke
Die Schulschwänzer--Fritz Beinke (德国, 1842-1907)
图片文件尺寸 : 3204 x 4343px
Fritz Beinke的《Die Schulschwänzer》-Fritz Beinke
Die Schulschwänzer--Fritz Beinke (德国, 1842-1907)
图片文件尺寸 : 2477 x 4000px
保罗·克利(Paul Klee)的《紧绳步行者》(Seiltänzer)-Paul Klee
The Tight Rope Walker (Seiltänzer)--Paul Klee (德国, 1879 - 1940)
材质 : Lithograph
图片文件尺寸 : 4859 x 3695 px
Paul Klee-Seiltänzer, 1923.
保罗·克利-绳索舞者,1923年。
图片文件尺寸 : 2904 x 3756px
安东·罗马科的《塔兰泰拉舞蹈家》-Anton Romako
Tarantellatänzer--Anton Romako (奥地利, 1832-1889)
材质 : Oil on paper
图片文件尺寸 : 4859 x 3695 px
Sascha Wiederhold-Tänzer, Um 1926.
Sascha重复-《舞蹈家》,1926年。
材质 : Drypoint
图片文件尺寸 : 4859 x 3695 px
Erich Heckel-Seiltänzer, 1910.
埃里希·黑克尔-绳索舞者,1910年。
材质 : Drypoint
图片文件尺寸 : 4859 x 3695 px
Max Beckmann-Die Seiltänzer, 1921.
马克斯·贝克曼-绳索舞者,1921年。
材质 : Oil on canvas
图片文件尺寸 : 4859 x 3695 px
Markus Lüpertz-Roter Tänzer, 2003.
马库斯·吕佩茨-《红色舞者》,2003年。
材质 : Watercolor
图片文件尺寸 : 4859 x 3695 px
Karl Hermann Trinkaus-Ohne Titel (Tänzer), 1926.
卡尔·赫尔曼·特林考斯-《无题(舞者)》,1926年。
图片文件尺寸 : 3845 x 6298px
亨利·福塞利的《舞蹈家与舞蹈家》-Henry Fuseli
Tänzer und Tänzerin--Henry Fuseli (瑞士, 1741-1825)
材质 : Oil on paper
图片文件尺寸 : 4859 x 3695 px
Edgar Ende-Der Tänzer auf der Kugel, 1948.
埃德加·恩德-舞会上的舞者,1993年。
材质 : Pastel and color chalks
图片文件尺寸 : 4859 x 3695 px
Hermann Max Pechstein-Varietétänzer, 1928.
赫尔曼·马克斯·佩赫斯坦-《综艺舞者》,1928年。
材质 : Acrylic
图片文件尺寸 : 4859 x 3695 px
SALOME-Gemeinschaftsarbeit mit Luciano Castelli. Seiltänzer (Diptychon), 1979.
莎乐美-与Luciano Castelli合作。绳索舞蹈家(双人舞),1979年。
阿尔伯特·格莱兹-现代-
Albert Gleizes * - Moderne-
(Paris 1881–1953 Avignon)
Tänzer, 1916, signiert und datiert, Tusche und Aquarell auf Papier, 23 x 17 cm, gerahmt
Zu diesem Werk liegt ein Fotozertifikat von Anne Varichon, Expertin für das Werk von Albert Gleizes, vor.
Provenienz:
Auktion Christie’s New York, 16. November 1983, Los Nr. 153
Europäische Privatsammlung
Literatur:
Anne Varichon, Albert Gleizes, Werkverzeichnis, 1998, Bd. I, S. 242, Nr. 703 mit Abb.
图片文件尺寸 : 4242 x 3809px
NUREMBERG CHRONICLE.:SCHEDEL, HARTMANN. 1440-1514. Liber chronicarum [in German: Das Buch der Croniken und Geschichten]. Nuremberg: Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 23 December 1493.
Imperial folio (472 x 325 mm). 297 leaves (of 298, without final blank). 59-64 lines and headline, table and parts of the text in two columns. Types: 24:111G (text), 9:165G (headlines), c. 1809 woodcut illustrations printed from 645 blocks by Michael Wolgemut, Wilhelm Pleydenwurff and their workshop, including Albrecht Dürer, comprising 29 double-page town views, 8 full-page woodcuts and double-page maps of the World [Shirley 19] and of Europe by Hieronymus Münzer after Nicolas Khrypffs. Contemporary Nuremberg pigskin over wooden boards, stained pink, ruled and stamped in blind, upper cover lettered in German: \"Cronica von anfang der welt\" [\"Chronical of the beginning of the world\"] brass clasps and catch-plates. Some minor marginal tears and occasional light staining, a few leaves (138-150) with repair to inner margins slightly affecting woodcuts or text, leaf 281 loose, spine ends neatly repaired.
Provenance: Georg Frauenlob Landt, gift inscription to Wolfgang Häberl, dated 18 August 1599 (first numbered leaf verso); Häberl, Wolfgang (*1553) from Berchtesgaden, Pastor of the parish church of St. Martin in Thalgau, and motto dated 1595 (inscription \"Sum ex libris Wolfgangi Häberl Berchtersgadiam / Ecclesiae parochialis S. Martini in Talgeio Pastoris. / Honesti cultor uirtute content. 1599\" on title page).
FIRST EDITION IN GERMAN of the Nuremberg Chronicle, printed in the same year as the Latin edition. The German and Latin editions were planned simultaneously, with the German edition of Georg Alt\'s translation appearing five months after the Latin edition. A TALL COPY of the most extensively illustrated book of the 15th century. The 29 large double-page city views, many illustrated for the first time, are accurate in depicting distinguished features of each city. In addition, it includes many details of 15th-century daily life: carpenters with their tools, astronomers and their instruments, a chess player, archers, bridges, derricks, dishes, furniture, windmills, ships, beds, houses, fortifications, weapons, tents, wharves, ferries, books, drawing materials, dogs, horses, and other animals, as well as costumes. Hartmann Schedel\'s Nuremberg Chronicle epitomizes \"the commercial sophistication, economic power and technical virtuosity that brought the art of print to this extraordinary climax\" (Pettegree). Reference: BMC II 437; BSB-Ink. S-197; Bod-Inc. S-110; Goff S-309; GW M40796; HC *14510; Pettegree, The Book in the Renaissance, New Haven, 2011 p. 42; Reske, The Production of Schedel\'s Nuremberg Chronicle Wiesbaden, 2000; Ellen Shaffer The Nuremberg Chronicle, Los Angeles, 1950; Wilson, The Making of the Nuremberg Chronicle Amsterdam, 1976.
纽伦堡编年史。 Liber chronicarum[德语:《克洛诺斯和故事书》]。纽伦堡:Anton Koberger代表Sebald Schreyer和Sebastian Kammermeister,1493年12月23日。